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Like the sculpture of Donald Judd, many of Mark's works find
form through repetition. In the ongoing performance In &
Out (1997-), Mark punches a time clock installed in her studio
every time she starts and finishes working on art. That her studio
doubles as her living space points to the fluidity the artist
sustains between the two modes; the punch clock performance stands
as a wry commentary on how very thin the dividing line is between
the two for the artist. Adding a further dimension of self-deprecation
to the piece is the fact that since 1999 it has been owned by
the Toronto collector Dr. Paul Marks, meaning that Mark, in effect,
has a "boss" who pays her on a yearly basis for the
work. Currently, employer and employee in this arrangement are
looking for a buyer for the piece, preferably a Canadian art institution
that has the vision to match Mark's long-term commitment to her
art." |